Monday, May 25, 2020

Mother Daughter Relationships - Family Relations in Amy...

Family Relations in The Joy Luck Club One passage, from the novel The Joy Luck Club, written by Amy Tan, reveals the complex relations and emotions that are involved in families. This passage concerns the story of four Chinese women and their daughters. The author leads the reader through the experiences of the mothers as they left China and came to America. The daughters have been raised in America, as Americans. This is what the mothers had wanted although it also causes them great distress. This is illustrated in the passage I have chosen. â€Å"My daughter wanted to go to China for her second honeymoon, but now she is afraid. â€Å"What if I blend in so well they think I’m one of them?† Waverly asked me. â€Å"What if they†¦show more content†¦Pee-pee, choo-choo train, eat, close light sleep. How can she think she can blend in? Only her skin and her hair are Chinese. Inside - she is all American - made. It’s my fault she is this way. I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it’s no lasting shame. You are first in line for a scholarship. If the roof crashes on your head, no need to cry over this bad luck. You can sue anybody, make the landlord fix it. You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head. You can buy an umbrella. Or you can go inside a Catholic church. In America, nobody says you have to keep the circumstances somebody else gives you. She learned these things, but I couldn’t teach her about Chinese character. How to obey parents and listen to your mother’s mind. How not to show your own thoughts, to put your feelings behind your face so you can take advantage of hidden opportunities. Why easy things are not worth pursuing. How to know your own worth and polish it, ne ver flashing it around like a cheap ring. Why Chinese thinking is best. No, this kind of thinking didn’t stick to her. She was too busy chewing gum, blowing bubbles bigger than her cheeks. Only that kind of thinking stuckShow MoreRelatedAmy Tan: A Brief Biography757 Words   |  3 PagesAmy Tan is an American Chinese writer most notably known for her critically acclaimed novel The Joy Luck Club, amongst many others. Amy Ruth Tan was born on February 19, 1952, in Oakland California to John and Daisy Tan. Both of Amy’s parents were Chinese immigrants who fled from China to escape hardships. Amy’s mother, Daisy, divorced her abusive husband and left behind three daughters before immigrating to the United States and marrying Amy’s father, John. 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When she wrote the Joy Luck Club, it was about stories from four different families that met every week and played mahjong, ate Chinese food, and told stories. Amy didn’t realize how much of these stories she absorbed growing up. Amy never set out to write about her own life, but when she began writing, she realized she had unconscientiously subsumedRead More The Joy Luck Club Essay2220 Words   |  9 PagesThe Joy Luck Club In The Joy Luck Club, Amy Tan’s first novel, short-story-like vignettes alternate back and forth between the lives of four Chinese women in pre-1949 China and lives of their American-born daughters in California. The book is a mediation on the divided nature of this emigrant life. The novel is narrated horizontally as well as vertically; friendships and rivalries develop among the daughters as well as the mothers.(Matuz 92) As Jing Mei Woo describes, â€Å"Auntie LinRead MoreHuman Oppressiveness in Two Kinds and AP Essay2357 Words   |  10 PagesIt was Emerson who said it best, â€Å"For nonconformity, the world whips you with its displeasure† (Porter 1155). With a detailed look of Amy Tan’s â€Å"Two Kinds† and John Updike’s â€Å"AP,† you will find that this quote is entirely applicable in the context of oppressiveness and in the likeness of â€Å"coming of age.† These two stories document the different perspectives of two characters’ growing up and how the role of the invisible hand of oppression guides developing adolescents into mature adults; without

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